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| **NEW** Thunder Ranch Training Videos featuring Clint Smith >>click to preview<< | ||||||||||||||
| Reproduced from the December 2007 issue of GUNS Magazine. |
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| My 40 Years As A Gunwriter It Went By Pretty Darn Fast, Too. |
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John holds one of Bill Jordan’s custom Smith & Wesson Magnums in Rex Applegate’s private museum. |
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| As far back as I can remember in my early grade school days, I wanted to be a writer and an artist. Maybe it would be more correct to say I had a great desire to express myself. My favorite classes were art and any other class such as history or English for which I could do written reports. Having virtually no athletic ability, I never looked forward to what in those days was simply called gym. | ||||||||||||||
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I did discover I had one semblance of athletic ability in my teenage years, but it was all confined to my trigger finger. Since it was obvious I was never going to make a mark athletically or artistically speaking I was smart enough to concentrate on writing. My 9th grade English teacher, double bless her soul, had encouraged me to write by allowing me to read the things I was really interested in for extra credit. It was about this time my aunt gave me an old typewriter and by using two fingers to type, I buried my English teacher in report after report. My writing career had started. Thanks to The Shooters Bible, I dreamt about all the rifles I would someday own. And someday, just perhaps, it would be me pictured with my rifle and latest trophy instead of Jack O’Connor. Then in 1955 two things happened to change the course of my life. When I got my latest copy of Outdoor Life I found it contained a full-size picture of Ruger’s first centerfire single action, the .357 Blackhawk. The sidewalls of my bedroom followed the outline of the roof so their top half was slanted towards the center. The .357 Blackhawk was tacked above my bed to be the last thing I saw at night and the first thing I saw every morning. Today I find the Internet sites packed with those who take pride in not reading “gunrags” as they call them with disdain while at the same time proclaiming all gunwriters are hacks and shills for the gun companies. It is difficult to understand this attitude considering how hard we work to provide a few written pages and especially when I consider the fact of the high regard I have always held for gunwriters and how much I have learned from such as Elmer Keith, Skeeter Skelton, Bill Jordan, Bob Milek, Kent Bellah, Jeff Cooper, John Lachuk, and the current crop of writers such as Brian Pearce, Dave Scovill, Mike Venturino, Clint Smith, Mas Ayoob, and our own staff of writers here at GUNS and American Handgunner. As Rush Limbaugh says, “The learning never stops.” Forty years ago my wife and our three young kids spent the summer as caretakers of a youth camp in the Payette National Forest. Along with everything else we needed, I took the six firearms I had at the time, my .22 rifle and pistol, and four .44 Magnums. The latter consisted of two S&Ws, 4" and 6-1/2" versions, my already then old .44 Ruger Flattop, and a second Ruger, a Super Blackhawk. During the week, we had camp duties to perform, however, I managed to get a lot of long-range shooting in on weekends, and even during the week many of the youth councilors managed to find time to retire with me to the lower pasture and shoot the big .44s. My weekend “shooting range” was 10 miles above the camp where we could sit down and shoot at rocks across the river. Somehow some of the councilors also found free time so we could get up there during the week. It was a wonderful summer and I learned a lot about those .44s that year. I was in the midst of some of the most beautiful country on earth, I had my .44s with me, so it only seemed natural for the next step to be putting my thoughts about The King Of Magnums down on paper. That first article, entitled “4 x 44 = Fun” was sent off to a magazine called GUNsport and, lo and behold, was accepted for publication and showed up in the November 1967 issue. I just knew I was about to become rich or at least supplement my meager Idaho teaching salary, which anyone can judge by the title of my first article came from teaching mathematics. After the article was published I received an envelope from the magazine and I knew it would be a large check worthy of my efforts. Another Major Change Shooting and reloading continued to occupy my time with no thought of ever writing again. However, something was about to happen which would dramatically change the direction of my life. In the late 1970s, J.D. Jones founded Handgun Hunters International and along with it began to publish The Sixgunner as the club newspaper. I immediately joined and went back to writing with my first effort for J.D. being “Hunting, Yes! Handgun, No!” This piece appeared in the December 1979 issue and for the next couple decades I had at least one article in each issue. My second article for J.D. appeared in the next issue and was one which also set the stage for many future articles in several publications. That article proclaimed “My Ultimate Sixgun” and told of my first but certainly not my last custom .44 Special built on a Ruger 3-Screw .357 Blackhawk. Skeeter Skelton had begun the practice of converting .357 Magnum Ruger 3-Screw Blackhawks and Smith & Wesson Model 28s to .44 Special with an article written in 1972. Since his passing in 1988, I have tried to carry on the resurrection of the .44 Special. In fact, I try to write most of my articles in the spirit of Elmer Keith and Skeeter Skelton, both of whom wrote for this magazine in the 1950s. I cannot be either one for several reasons, not the least of which is they grew up in different times. What they experienced cannot be experienced by anyone else. I can only be myself and do what I can to keep their sixguns message alive and well. Elgin Gates, founder and president of International Handgun Metallic Silhouette Association (IHMSA) saw some of my writings in The Sixgunner and contacted me about doing some experimental work with cartridges and guns and writing up the results for The Silhouette. This put me in on the ground floor of many new cartridge developments, and over the next several years I would work with the latest silhouette handguns and also develop loads for such cartridges as the 7 Rimmed, the .357 and .375 SuperMags, and even the Freedom Arms .454 Casull for use as a silhouette sixgun. J.D. Jones, Encourager A lot of time and effort were expended doing load development for both The Sixgunner and The Silhouette, both of which paid large future dividends. J.D. Jones became a special friend and my number one encourager, telling me I was certainly good enough to be writing for the major magazines, so with his belief in me I sent off my second article to a major magazine. The article was entitled “Heavy .44 Bullets and the .430 JDJ.” J.D. had recently designed a superb 320-grain cast bullet for use in his .44 wildcat cartridge based on the .444 Marlin for use in custom barreled Contenders produced by SSK Industries. We found this bullet also worked superbly in the Ruger Super Blackhawk .44 Magnum thus giving me plenty of material to work with. A local friend, Lew Schaffer of 3K Industries had been working with his wildcat .44 — the .444 Schafer Magnum using the .444 Marlin in his custom barreled Contenders — when he heard of the forthcoming Dan Wesson .357 SuperMag, he got ready. His .444 Schafer Magnum was cut to 1.600" and chambered in a Contender for experimental work with the idea of using this same cartridge named the .44 Schafer UltraMag in a converted Dan Wesson .357 SuperMag. The gun was built and my article “The .44 Super Magnum of the Future” appeared in the May 1984 issue of GUNS, and the course was set for the next two decades for me to be working with the biggest of the big bores and load development for same. During this time I was the only writer to thoroughly test and publish extensive reloading data on many of the big-bore sixguns. Shooting Really Big Bores Soon after my article on the .44 Schafer UltraMag appeared, Elgin Gates teamed up with Dan Wesson to bring out the .445 SuperMag, which was a dead ringer for Schafer ’s cartridge, so much so in fact I used Schafer’s dies to load the SuperMag version. Over the years, the most comprehensive data on the .445 SuperMag, the .454 Casull, .475 Linebaugh, .500 Linebaugh, .475 Linebaugh Long, .500 Linebaugh Long, the .480 Ruger, the .500 Wyoming Express, the .460 Smith & Wesson and the .500 Smith & Wesson appeared in these pages or in our sister publication American Handgunner under my byline. The experimenting and shooting took its toll over the years and I am much happier today shooting the .44 Special, and the two .45s — Colt and ACP. My first articles here covered big-bore sixguns and the same is true for my first effort for American Handgunner. In the first issue of 1985 is found “New Speed, New Power For The .45 Colt,” written as a result of meeting John Linebaugh in the early 1980s and tapping into his vast knowledge of big-bore sixguns. John has also become a special friend over the years. Following on the heels of the .45 Colt article, two of my big-bore articles appeared in the 1985 Annual, Super Silhouette Sixguns and Heavyweights For Your Heavyweight which covered heavy cast bullets for use in big-bore sixguns. In July/August 1987 the most extensive loading data ever published for the .454 appeared in American Handgunner in an article entitled simply “.454 Casull” and the art department did a superb job making very attractive reloading charts complete with color drawings of each bullet. I still hear from readers who have those charts tacked up on their reloading room walls and the art department for GUNS and American Handgunner has been going the extra step to make me and my articles look awfully good ever since. I long ago lost count of how many articles I have done over the past 40 years but I know it is well over 1,200 with right at 800 having been done for our two publications. We just happen to be the best in the business, and an endeavor I am immensely proud to be a part of. J.D. the Encourager entered the picture again by recommending me to the editor when American Handgunner needed someone to do the “Siluetas” column. I joined the regular staff of writers and my first column appeared in the July/August 1987 issue and would last until the May/June 1994 issue and thereafter became “The Sixgunner.” One issue after beginning the “Siluetas” column, “Taffin Tests” began in September/October 1987. Virtually every cartridge has been covered in “Taffin Tests” over the last two decades and it continues along with “The Sixgunner” allowing me the latitude to cover a wide spectrum of handgunning. During the 1980s my photography was black and white and very frustrating. I would do my best to take quality pictures, have the roll developed, and then find only a few were usable. In 1988 I did two pieces for Jan Libourel who was then editor of Petersen’s Handguns. “Don’t Knock Non-Magnums” appeared in March 1988 followed by “The Sixguns Of Elmer Keith” in July 1988. Jan called me to discuss the pictures and when I told him the problem I was having he said it wasn’t me, but rather the processor and suggested I simply send the whole roll to him. Instead I learned to do my own pictures using the school darkroom and the results changed dramatically. However, I was most happy to upgrade to colored slides a few years later. Slides were expensive and usually took a week to get back, but the results were wonderful. It took a lot of talking by my wife and our editor in chief Roy Huntington to get me to switch to digital, which has turned out to not only produce better pictures, but do it immensely faster and cheaper. I can take pictures and within an hour have them burned to a disc and on the way to the magazine office via USPS Priority mail. |
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| John Taffin with Larry Kelly in his Handgunners Museum and Hall of Fame. |
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| Pistoleros gathered in Colorado include (from left to right) Bob Baer, Taffin, John Wootters, Bart Skelton, Jim Wilson, and Terry Murbach. |
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| John got to meet with and become friends with legends and heroes, here, the legendary Col. Rex Applegate. |
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| All the grips have been changed, however, the .44 Specials from Taffin’s second major magazine article (above) are also still in use. | ||||||||||||||
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| Taffin’s first article for GUNS covered the .357 Dan Wesson SuperMag. | ||||||||||||||
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| Much of Taffin’s early loading data can be found in these two books edited by Elgin Gates. |
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| All the grips have been changed and one barrel has been replaced on the original “4 x 44s” first written about 40 years ago. All are still in service. | ||||||||||||||
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| Friends gathered at a SHOT Show include (from left to right) Wayne Baker, Bob Munden, J.D. Jones, Terry Murbach, and Taffin. |
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| During the summer of 1967, Taffin spent some time shooting his Ruger Super Blackhawk in the Payette National Forest. | ||||||||||||||
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| Bill Jordan and John Taffin (left and center) present the Outstanding American Handgun Awards Foundation bronze to pistol shooting legend Harry Reeves. |
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| Taffin with founder of Sturm Ruger, Bill Ruger. |
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| Another dream come true and the hardest work John’s ever done — an Idaho Cougar (above) taken with the Freedom Arms .44 Magnum. A dream come true — a bull bison taken with a sixgun (below), in this case, the Freedom Arms .480 Ruger. | ||||||||||||||
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The Fun Part A wonderful part of gun writing is, of course, to be able to test many of the new firearms and related products, however, this is not the best part. That is reserved for the people I have met over the past four decades. Many readers have become friends. I had already met Elmer Keith in the 1960s, however, this was only the beginning. I’ve already mentioned J.D. Jones, Elgin Gates, Jan Libourel and how they helped me along. My first field trip in conjunction with the NRA Meeting taken with established gunwriters back in the early 1980s found me paired up with of all people Col. Charles Askins. Askins was about as controversial a figure as could be found among gunwriters. At the time, he had just about done everything, and I was a little apprehensive about being his “partner.” I should not have been as he treated me as if I had been a friend of his for years. As I was growing up reading Bill Jordan and Rex Applegate, I never dreamed I would ever be able to actually know them. Bill served as my vice president during my eight years as Chairman of the Outstanding American Handgun Awards Foundation and he not only called me frequently, I also wrote his presentation speeches for our annual awards meeting. Rex Applegate was also a frequent caller and we visited together many times. It was my good pleasure to award the OAHAF bronze to Jeff Cooper and visit with him several times. He was a true gentleman. Skeeter Skelton and I got together over our common bond, the love of the .44 Special. The Really Fun Part In my work as a gunwriter, I’ve had custom guns built by a long list of the greatest sixgunsmiths who have ever practiced their craft. I’ve been able to hunt to the point there is no wall space in my office, family room, living room and two reloading rooms for any more mounted heads, and part of that hunting was being the first person to hunt with a handgun in the area of South Africa on the Limpopo River this side of Botswana. It has been my great pleasure to shoot just about every revolver made over the last four decades, however one does not arrive at this point without forming special bonds with certain handguns. For the most part I’m pretty traditional preferring 3-Screw Rugers from .22 through .45 Colt, Colt and USFA Single Actions, the Classic S&W N-frames, Freedom Arms’ big-bore sixguns, and 1911s. My first real love was the .44 Special and I find myself going back to it more and more for everyday use shooting double action S&Ws and single action USFA, Colt, Great Western and converted Ruger 3-Screws. If I never get to shoot another gun, go on another hunting trip, or even write another article, my life has been blessed and as I said at the end of my last book, my cup runneth over. However, I hope I am privileged to do one more book and many more articles. It has been a great ride and I am not yet ready to get off. Blame it on J.D.! |
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Extra John Taffin Photos |
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